Chuck Green operates Logic Arts Corporation, located in Glen Allen, a suburb of Richmond, Virginia
He is first and foremost a designer secondarily an author. He started out at WTTG-TV in Washington, D.C., designing the graphics they put behind the newscasters. Today, he stays busy producing work for clients and writing for various publishers and publications.
Chuck also runs Ideabook.com which grew out of a book he wrote for Random House The Desktop Publisher's Idea Book. It has grown into a fairly well traveled space for designers, advanced to beginner, who are interested in seeing how someone else does it. You'll find lots of design and marketing how-to, plenty of project ideas and tips, plus a carefully researched collection of design-oriented links and resources.
Use personal notes to build relationships
by Chuck Green
When was the last time you received a personal
note from a colleague or a client? A handwritten message that
expressed a feeling or a thought composed for you alone? If
you're like me they are few and far between. I for one will
not soon forget the CEO of a multi-billion dollar corporation
who took the time to send a note of congratulations after
a positive story about my business in the local press.
The fact that so little one-to-one marketing survives in today's
busy-signal world is great news for those of us who are serious
about building relationships with customers and colleagues.
Why? Because the very rarity of it makes it effective--it
stands to reason that a message that is one of two gets a
lot more attention than a message that is one of fifty.
When I do get personal notes, they come from the people I
would expect have the least time to create them--the CEO I
mentioned, an author, a board member, or a legislator. I shouldn't
be surprised--these people got to where they are by understanding
that successful businesses are the result of cultivating sincere
relationships.
That's the good news--the better news is that this unique,
virtually untapped form of marketing doesn't cost a lot of
money or time.
Up-front thinking
Before you crank up your desktop publishing program to start
designing your personal letterhead or notecard, it's important
to do some up-front thinking. First, let's focus on the types
of notes you will send.
You, of course, are the best judge of the most appropriate
occasions on which to send a personal note. Much of that "what"
and "when" has to do with how familiar you are with
the recipient. In any case remember that the most memorable
personal gestures are those that are not associated with a
transaction. And that nine times out of ten, they are unexpected--a
thank you note for repeat business, a referral, or a favor
is an obvious opportunity to make contact. As is a note of
congratulations on the occasion of a promotion, a business
anniversary, or a business achievement.
If you're not comfortable with composing your own words, there
are plenty of books that provide insightful messages--one
particularly good collection is Letters That Sell by Edward
W. Werz (NTC/Contemporary Publishing; ISBN: 0809246848).
And be realistic about the program you undertake. Your notes
don't need to be long or complicated--the gesture is what
counts most. A simple "Proud to know you" on the
occasion of an award can be just as compelling as a detailed
letter. To my way of thinking it's better to opt for a program
you can realistically sustain.
Above all, speak plainly and from the heart--the only down
side of using this type of correspondence is if the sender
is suspected of being insincere. I have a book on my shelf
titled "If you can talk, you can write"--truer words
have never been said. Forget the business speak--use the words
and a conversational tone that matches your personality and,
above everything, be honest and sincere.
Three personal note formats
Here are three ways to do it--a notecard, a baronial letter,
and an executive letter. I like the card best because the
size and shape telegraphs the idea that you are receiving
something other than standard business correspondence. The
only potential down side of a card is that it holds only about
25 of my handwritten words. You can gauge how many or your
words it will hold by cutting a sheet to size and filling
in the space minus the margins and graphics areas.
How elaborate you get depends on your budget. A four-color
card with a custom envelope such as the one you see here is
the most expensive. But you could just as easily create a
card using black and white or two-colors and save half the
cost or more. The example shows a card designed for the owner
of an orchard--with her company name and logo at the top and
return address information at the bottom--the street address,
phone number, and e-mail address. The card is 4.375 by 5.75
inches and fits in an A2 invitation envelope, 4.25 by 5.5
inches.
Don't scrimp on paper--buy the best you can afford. In small
quantities the difference between the medium and premium grades
is negligible. I recommend you use 80 lb uncoated cover stock--paper
roughly as stiff as a postcard with a dull surface for writing.
Your local commercial printer can show you samples of many
different colors and grades.
A baronial letter is half the size of a standard business
letterhead--5.5 by 8.5 inches. You use it just like a standard
letter in miniaturized form. It holds roughly 75 of my hand-written
words. The version here is printed in two colors, black and
orange. It has much the same look as the more-expensive, four-color
version for less of a price. The baronial letter is folded
in half and mailed in an A2 invitation envelope (4.25 by 5.5
inches).
A note about writing paper--The very finest writing papers
are made from cotton fiber or rag content versus wood pulp--they
feel heavier and look richer. If you decide to invest in personal
stationery, buy the best. The added impact of the look and
feel is subtle but substantial.
The third variation is an executive-sized letter--7.25 by
10.5 inches with a Monarch style envelope that measures 3.875
by 7.5 inches. This format holds roughly 125 of my handwritten
words. A formal version of this sheet would include the name
and title of the sender positioned and printed in the left
margin.
Putting words on paper
There are two basic ways to put your words on paper--by writing
your note by hand or by typing it in your word processing
program and signing it. My handwriting, unfortunately, is
atrocious so I use a font to type the message and sign the
note by hand. You can use a favorite font or a font in a handwritten
style. For these examples, I used the font Fine Hand.
For the ultimate effect, write or at least sign your notes
with a fountain pen in blue ink. Use the same personal approach
with the envelope--hand address it and use a stamp instead
of a postage meter.
If your experience is anything like mine, your notes will
be much appreciated and long remembered.